Tuesday, May 19, 2020

The Development of the Gothic Heroine - 1300 Words

The Development of the Gothic Heroine Although it is not uncommon for a protagonist to grow throughout the course of a novel, for them to develop to the degree where they wholly realize their potential, and then utilize it, is another thing all together. This type of development, while atypical, is often found within the heroines of gothic fiction, particularly the heroines of Jane Eyre and Wuthering Heights by Charlotte and Emily Brontà « respectively. While gothic fiction is typically remembered for combining the horror and romantic genres, it also contains some of the strongest heroines of 19th century literature. Much of the development done by gothic heroines can be traced into one generalized pattern. The heroine of Jane Eyre and†¦show more content†¦By utilizing their compassion, Jane and Cathy gain a rounder worldview and are able to face obstacles with more stoicism. Thus with this newfound perspective, the heroines continue on their journey to whole realizat ion of their potential. However, their compassion is not their only skill they discover. Jane and Cathy also learn how to display their courage when faced with difficult situations. Jane realizes the extent of her courage when she stands up to the headmaster at her school who is being especially cruel towards her. After being humiliated in front of her entire school, Jane describes feeling courageous for the first time as; â€Å"the new feeling bore me up! [†¦] I mastered the rising hysteria, lifted up my head and took a firm stand on the stool† (67). Additionally, Cathy attempts to escape from Heathcliff who is holding her hostage despite the fact that he would certainly kill her. She tells him that she must either â€Å"break or burn a way out of the house† (229). Although both heroines are facing situations of almost certain peril, they are able to face their opponents with a brave face. It is through realizing the extent of their courage, the heroine s take risks that they might have previously dismissed as irrational. By taking these risks that Jane and Cathy are able to overcome certain obstacles and continue to develop further as characters. Overall, by learning to hone their talents for compassion and courage, Jane andShow MoreRelatedComparing The Heroines Of Christabel And Northanger Abbey1514 Words   |  7 PagesComparing and Contrasting the Heroines of Christabel and Northanger Abbey The gothic heroine is perhaps the most stereotypical character in all of gothic fiction. The heroine is usually depicted as pure, innocent, fragile – the role of a passive ‘damsel in distress,’ unable to change her own fate within the story. Northanger Abbey’s Catherine Morland and Christabel’s Christabel both share similarities with and stark distinctions from this archetype in varying ways. Catherine’s story in truth doesRead MoreEssay on The Develoment of the Horror Genre1076 Words   |  5 Pages The term Gothic is significant for the understanding of the origins and development of the horror genre. Both of these genres differ, whilst Gothic literature is the text that explores the frightening extremes in mankind, horror focuses more on the unknown. The Gothic horror genre has changed over time and retains importance because it is the antecedent of the horror genre. Factors such as the definition of the word Gothic, the archetypes of the genre, and its social and historical contexts, haveRead More Catherine Morlands Coming of Age in Jane Austens Northanger Abbey1524 Words   |  7 PagesAusten first introduces Catherine as an unlikely heroine: No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be [a] heroine (13). This is the introductory line of Austens first book, giving the reader the responsibility to realize this is a novel by stating Catherines heroism. This is important for the reader to understand because Catherine, who loves to read fiction, considers herself to be a heroine in a gothic novel. Therefore, this sets the tone of the storyRead MoreMacbeth and Young Girl1441 Words   |  6 PagesTo what extent do you agree that, in gothic writing, fear and pain are sources of pleasure? Fear and pain are sources of pleasure that Shelley in ‘Frankenstein’ employs, especially within the character of Victor. The painful description of the monstrous birth is one example of this- having the element of disturbance to shock the reader, yet to Victor (the creator) his response is pleasure and he seems to enjoy the terrifying sounds made of the birth; ‘’I might infuse a spark†¦ into the lifeless thing’’Read MoreNorthanger Abbey Paper1242 Words   |  5 PagesCatherine to fit the female Bildungsroman of Gothic novels by exploring the proper and improper social behaviors of society, allowing Catherine to resist manipulation by others in order to become her own person. Austen first introduces Catherine Morland as an unlikely heroine: â€Å"No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine† (7). Here, Austen asserts that Catherine is very untypical of the heroines in many novels. She describes her as havingRead MoreCatherine morland presented1539 Words   |  7 PagesNorthanger Abbey’s primary trajectory is the development of the main female character. Even though Catherine Morland is not a typical female Bildungsroman, her realisations in who she is and who she is becoming are very evident throughout the novel. George Willis defines the Bildungsroman as â€Å"a novel which traces the spiritual, moral, psychological, or social development and growth of the main character towards maturity.† In this novel, the main developments of Catherine being traced are the socialRead MoreJane Eyre By Charlotte Bronte1186 Words   |  5 Pagesconsidered to be a gothic novel. Gothic literature took place mostly in England from 1790 to 1830, falling into the category of Romantic literature. The Gothic takes its roots from previous horrifying writing that extends back to the Middle Ages and can still be found in writings today by many authors includi ng Charlotte Bronte. The strong description of horror, abuse, and gruesomeness in Gothic novels reveals truths to readers through realistic fear. The main characteristics of Gothic literature include:Read MoreJane Austen s Northanger Abbey1920 Words   |  8 PagesNorthanger Abbey is a novel that features vibrant character development but the biggest development is that which occurs in Catherine Morland. Catherine’s character nearly develops in all components of her being and she is able to evolve from the unorthodox â€Å"heroine† that she is initially described as. In the novel, Catherine starts out as an incredibly naà ¯ve and inexperienced girl who confuses all facets of the real world as the plot in a Gothic novel. Catherine develops as a character through her socialRead MoreJane Eyre By Charlotte Bronte1203 Words   |  5 Pagesconsidered to be a gothic novel. Gothic literature took place mostly in England from 1790 to 1830, falling into the category of Romant ic literature. The Gothic takes its roots from previous horrifying writing that extends back to the Middle Ages and can still be found in writings today by many authors including Charlotte Bronte. The strong description of horror, abuse, and gruesomeness in Gothic novels reveals truths to readers through realistic fear. The main characteristics of Gothic literature include:Read More Fantastical Ideas and Gothic Tendencies in Jane Eyre Essay1110 Words   |  5 PagesFantastical Ideas and Gothic Tendencies in Jane Eyre The novel, Jane Eyre, is infused with fantastical ideas and gothic tendencies. The novel is an example of Bildungsroman heroine with the title character Jane maturing from childhood. We see her spiritual, psychological and social development. Through this development Bronte manages to join both fantastic elements with a more realistic structure by weaving in references to fairy tales, dreams, mythic imagery and plot twists. Fantasy is

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.